DEPARTMENTAL PROFILE



 

1.      Name of the Department:       Fine Art and Music


2.      Year of establishment:          1958


3.      Is the Department part of a School/Faculty of the university?  Yes, Faculty of Art


4.      Names of Programmes / Courses offered (UG, PG, M.Phil., Ph.D., and Integrated Masters;Integrated Ph.D., etc.) :

 

Name of the Programme

Name of the Course

BA I

(VISUAL ART)

1.Theory Paper - I Fundamental Principles of Visual Art

2- Practical Paper – I Fine Art (Pictorial Composition, Still Life)                    
3. Practical Paper – II Communication Art (Communication Design, Space Awareness)

4. Practical  Paper – III Plastic Art (Creative Composition, Drawing)   

BA II

(VISUAL ART)

5. Theory Paper – I Indian Culture and Art

6. Theory Paper – II Indian Sculpture and Architecture 

7. Practical Paper – I Fine Art : Nature Study, Creative Composition            
8. Practical Paper – II Communication Art : Illustration, Communication Design   

9. Practical  Paper – III Plastic Art : Mould, Composition  

BA III

(VISUAL ART)

10. Theory Paper – I History of Modern Indian art and artist. 

11. Theory Paper – II Aesthetic appreciation of Indian arts.

12.Theory Paper – III Group A Advanced technique of Visual Art (only for Fine Art)

      Theory Paper – III Group B Advanced technique of communication  design Art (only for
       communication Art)              

       Theory Paper – III Group C Advanced Methods Materials of sculpture  Art (only for Plastic
        Art)

13. Practical Paper – I Fine Art   Group A & B (Creative Composition and Mural, B Textile and
        Graphic) 

       Practical Paper – I Comm. Art Group C& D   (Communication Design and Designing of
       Novelty, D Illustration and Cartoon Design)  

      Practical Paper – I Plastic Art Group E &F (Creative Composition and Relief, F Terracotta
       and Pottery)                                                                                                                                                         

14. Practical Paper – II Drawing  (Common Paper)                                                    

BA I

(PERFORMING ART)

15.Theory Paper – I History & Technique of Indian Music                                                     
 16- Practical Paper – I    Study of Ragas in Vocal Music                                         
17- Practical Paper – II   Study of Ragas in Instrumental Music                                            
18- Practical Paper – III  Study of Talas for Talvadya    

BA II

(PERFORMING ART)

19. Theory Paper – I Study of Indian & Westwrn Music

20- Theory Paper – II Technical Theory of Ragas & Talas

21- Practical Paper – I   Vocal     Study of Ragas in Vocal Music                         
22- Practical Paper – II   Instrumental Study of Ragas in Instrumental Music                        

23- Practical Paper – III Table/Mridanga   Study of Talas in Talvadya    

BA III (PERFORMING ART)

24. Theory Paper – I Contribution of Indian Music 

25. Theory Paper – II Music appreciation & contribution of Indian musicians.

26. Theory Paper – III Group A Technical theory of Vocal music (only for Vocal music)

      Theory Paper – III Group B Technical theory of Instrumental music (only for Sitar)               

       Theory Paper – III Group C Technical theory of Talvadya music (only for Tabla)

27- Practical Paper – I  Group A Vocal Music Advance study of Ragas for Vocal Music     

       Practical Paper – I  Group B Instrumental Music     Advance study of Ragas for             

       Practical Paper – I  Group C Talvadya Music Advance study of Ragas for Talvadya Music                                                                                

28- Practical Paper – II  Group A Vocal Music Advance study of Ragas for Vocal Music  Instrumental Music                                                  

       Practical Paper – II  Group B Instrumental Music Composition & Improvisation      

       Practical Paper – II  Group C Talvadya Music Composition & Improvisation

M.A. VISUAL ART (FINE ART) 1st Semester

29. Theory Paper - I Code - VA 101 (Common Paper)

Name – History of Modern Indian Art & Artists. 

30. Theory Paper - II Code - VA 102 A

 Name - Advance techniques of Visual Art

31- Practical  Paper – I Code - VA 103 A

Name - Creative Drawing & Portrait

32. Practical  Paper – II Code - VA 104 A

Name - Creative composition

33. Practical  Paper – III Code - VA 105 A

Name - Graphic Design printing

M.A. VISUAL ART (COMMUNICATION ART) 1st Semester

34. Theory Paper - I Code - VA 101 (Common Paper)

Name – History of Modern Indian Art & Artists. 

35.Theory Paper - II Code - VA 102 B

 Name - Advance techniques of Visual Art

36. Practical  Paper – I Code - VA 103 B

Name - Creative Drawing & Portrait

37. Practical  Paper – II Code - VA 104 B

Name - Visual communication Design

38. Practical  Paper – III Code - VA 105 B

Name - Advance Illustration

M.A. VISUAL ART (PLASTIC ART) 1st Semester

39. Theory Paper - I Code - VA 101 (Common Paper)

Name – History of Modern Indian Art & Artists. 

40- Theory Paper - II Code - VA 102 C

 Name - Advance techniques and material of sculpture

41. Practical  Paper – I Code - VA 103 C

Name - Creative Drawing & Portrait

42- Practical  Paper – II Code - VA 104 C

Name - Creative Composition 

43. Practical  Paper – III Code - VA 105 C

Name - Modeling & Casting in Clay or POP

M.A. VISUAL ART (FINE ART) 2ND  Semester

44. Theory Paper - I Code - VA 201 (Common Paper)

Name – History of European (From Pre- Historic to 18th Century)

45- Theory Paper - II Code - VA 202 A

 Name - Indian Philosophy & Aesthetic appreciation of Art

46. Practical  Paper – I Code - VA 203 A

Name - Creative Textile Design 

47. Practical  Paper – II Code - VA 204 A

Name - Creative Mural Paining 

48. Practical  Paper – III Code - VA 205 A

Name - Fundamental of Computer 

M.A. VISUAL ART (COMMUNICATION ART) 2ND  Semester

49. Theory Paper - I Code - VA 201 (Common Paper)

Name – History of European (From Pre- Historic to 18th Century)

50. Theory Paper - II Code - VA 202 B

 Name - Indian Philosophy & Aesthetic appreciation of Art

51. Practical  Paper – I Code - VA 203 B

Name - Animation Graphic Design

52. Practical  Paper – II Code - VA 204 B

Name - Advertising campaign 

53. Practical  Paper – III Code - VA 205 B

Name - Fundamental of Computer 

M.A. VISUAL ART (PLASTIC ART) 2ND  Semester

54. Theory Paper - I Code - VA 201 (Common Paper)

Name – History of European (From Pre- Historic to 18th Century)

55. Theory Paper - II Code - VA 202 C

 Name - Indian Philosophy & Aesthetic appreciation of Art

56. Practical  Paper – I Code - VA 203 C

Name - Wood Carving

57. Practical  Paper – II Code - VA 204 C

Name - Creative Mural Painting  

58. Practical  Paper – III Code - VA 205 C

Name - Fundamental of Computer 

M.A. VISUAL ART (FINE ART) 3RD  Semester

59. Theory Paper - I Code - VA 301 (Common Paper)

Name – History of European Art & Artists. 

60. Theory Paper - II Code - VA 302 A

 Name - Advance creative technique of Visual Art

61. Practical  Paper – I Code - VA 303 A

Name - Creative Composition & Installation

62. Practical  Paper – II Code - VA 304 A

Name - Creative Mural Painting Practical

63. Paper – III Code - VA 305 A

Name - Advance Print making

M.A. VISUAL ART (COMMUNICATION ART) 3RD    Semester

64. Theory Paper - I Code - VA 301 (Common Paper)

Name – History of European Art & Artists. 

65. Theory Paper - II Code - VA 302 B

 Name - Advance technique of Visual Advertising & Mass media

66. Practical  Paper – I Code - VA 303 B

Name - Creative Visualization

67. Practical  Paper – II Code - VA 304 B

Name - Creative Mural Painting

68. Practical  Paper – III Code - VA 305 B

Name - Advance Print making

M.A. VISUAL ART (PLASTIC ART) 3RD  Semester

69. Theory Paper - I Code - VA 301 (Common Paper)

Name – History of European Art & Artists. 

70. Theory Paper - II Code - VA 302 C

 Name - Advance creative Technique of Plastic Arts

71. Practical  Paper – I Code - VA 303 C

Name - Creative Study From Life

72. Practical  Paper – II Code - VA 304 C

Name - Creative Mural

73. Practical  Paper – III Code - VA 305 C

Name - Advance Wood carving

M.A. VISUAL ART (FINE ART) 4TH   Semester

74. Theory Paper - I Code - VA 401 (Common Paper)

Name – History of Modern European Art & Artists. 

75. Theory Paper - II Code - VA 402 (Common Paper)

 Name - Western Philosophy and Aesthetic appreciation of Art

76. Practical  Paper – I Code - VA 403 A

Name - Creative Project Work

77. Practical  Paper – II Code - VA 404 A

Name - Dissertation and Display of class works

78. Paper – III Code - VA 405 A

Name - Viva – Voce

M.A. VISUAL ART (COMMUNICATION ART) 4TH    Semester

79. Theory Paper - I Code - VA 401 (Common Paper)

Name – History of Modern European Art & Artists. 

80. Theory Paper - II Code - VA 402 (Common Paper)

 Name - Western Philosophy and Aesthetic appreciation of Art

81. Practical  Paper – I Code - VA 403 B

Name - Creative Ad Project Work

82. Practical  Paper – II Code - VA 404 B

Name - Dissertation and Display of class works

83. Practical  Paper – III Code - VA 405 B

M.A. VISUAL ART (PLASTIC ART) 4TH  Semester

84. Theory Paper - I Code - VA 401 (Common Paper)

Name – History of Modern European Art & Artists. 

85. Theory Paper - II Code - VA 402 (Common Paper)

 Name - Western Philosophy and Aesthetic appreciation of Art

86. Practical  Paper – I Code - VA 403 C

Name - Creative Ad Project Work

87. Practical  Paper – II Code - VA 404 C

Name - Dissertation and Display of class works

88. Practical  Paper – III Code - VA 405 C

Name - Viva – Voce

M.A. PERFORMING ART (VOCAL) 1st Semester

89. Theory Paper - I Code - PA 101 (Common Paper)

Name - History & Aesthetic Appreciation of Indian Music 

90. Theory Paper - II Code - PA 102 A

 Name - Technical Composition of Ragas 

91. Practical  Paper – I Code - PA 103 A

Name - Practical study of Ragas 

92. Practical  Paper – II Code - PA 104 A

Name - Compositional study of Ragas 

93. Practical  Paper – III Code - PA 105 A

Name - Performing presentation 

M.A. PERFORMING ART (INSTRUMENT-SITAR) 1st Semester

94. Theory Paper - I Code - PA 101 (Common Paper)

Name - History & Aesthetic Appreciation of Indian Music 

95. Theory Paper - II Code - PA 102 B

Name - Technical Composition of Ragas 

96. Practical  Paper – I Code - PA 103 B

Name - Practical study of Ragas 

97. Practical  Paper – II Code - PA 104 B

Name - Compositional study of Ragas 

98. Practical  Paper – III Code - PA 105 B

Name - Performing presentation 

M.A. PERFORMING ART (TAL-VADYA) 1st Semester

99. Theory Paper - I Code - PA 101 (Common Paper)

Name - History & Aesthetic Appreciation of Indian Music 

100. Theory Paper - II Code - PA 102 C

 Name - Technical Composition of Ragas 

101. Practical  Paper – I Code - PA 103 C

Name - Practical study of Ragas 

102. Practical  Paper – II Code - PA 104 C

Name - Compositional study of Ragas 

103. Practical  Paper – III Code - PA 105 C

Name - Performing presentation 

M.A. PERFORMING ART (VOCAL) 2ND  Semester

104. Theory Paper - I Code - PA 201 (Common Paper)

Name - Aesthetic Appreciation of Indian Music 

105. Theory Paper - II Code - PA 202 A

 Name - Technical Concept of Ragas  Composition

106. Practical  Paper – I Code - PA 203 A

Name - Practical study of Ragas 

107. Practical  Paper – II Code - PA 204 A

Name - Compositional study of Ragas 

108. Practical  Paper – III Code - PA 205 A

Name - Performing presentation 

M.A. PERFORMING ART (INSTRUMENT-SITAR) 2ND Semester

109. Theory Paper - I Code - PA 201 (Common Paper)

Name - Aesthetic Appreciation of Indian Music 

110. Theory Paper - II Code - PA 202 B

 Name - Technical Concept of Ragas  Composition

111. Practical  Paper – I Code - PA 203 B

Name - Practical study of Ragas 

112. Practical  Paper – II Code - PA 204 B

Name - Compositional study of Ragas & Instrument 

113. Practical  Paper – III Code - PA 205 B

Name - Performing presentation 

M.A. PERFORMING ART (TAL-VADYA) 2ND Semester

114. Theory Paper - I Code - PA 201 (Common Paper)

Name - Aesthetic Appreciation of Indian Music 

115. Theory Paper - II Code - PA 202 C

 Name - Technical Concept of Ragas  Composition

116. Practical  Paper – I Code - PA 203 C

Name - Practical study of Ragas 

117. Practical  Paper – II Code - PA 204 C

Name - Compositional study of Taals   

118. Practical  Paper – III Code - PA 205 C

Name - Performing presentation 

M.A. PERFORMING ART (VOCAL) 3RD  Semester

119. Theory Paper - I Code - PA 301 (Common Paper)

Name - History of Ancient Indian Music 

120. Theory Paper - II Code - PA 302 A

 Name - Technical Concept of Performing Art  

121. Practical  Paper – I Code - PA 303 A

Name - Practical study of Vocal Music

122. Practical  Paper – II Code - PA 304 A

Name - Compositional study of Ragas 

123. Practical  Paper – III Code - PA 305 A

Name - Performing presentation 

M.A. PERFORMING ART (INSTRUMENT-SITAR) 3RD Semester

124. Theory Paper - I Code - PA 301 (Common Paper)

Name - History of Ancient Indian Music 

125. Theory Paper - II Code - PA 302 B

 Name - Technical Concept of Performing Art  

126. Practical  Paper – I Code - PA 303 B

Name - Practical study of Instrumental Music

127. Practical  Paper – II Code - PA 304 B

Name - Compositional study of Ragas

128. Practical  Paper – III Code - PA 305 B

Name - Performing presentation 

M.A. PERFORMING ART (TAL-VADYA) 3RD Semester

129. Theory Paper - I Code - PA 301 (Common Paper)

Name - History of Ancient Indian Music 

130. Theory Paper - II Code - PA 302 C

Name - Technical Concept of Performing Art  

131. Practical  Paper – I Code - PA 303 C

Name - Practical study of Tal

132.Practical  Paper – II Code - PA 304 C

Name - Compositional study of Notations  

133. Practical  Paper – III Code - PA 305 C

Name - Performing presentation 

M.A. PERFORMING ART (VOCAL) 4TH  Semester

134. Theory Paper - I Code - PA 401 (Common Paper)

Name - History of Modern  Indian Music 

135. Theory Paper - II Code - PA 402 (Common Paper)

 Name - Philosophy and Aesthetic appreciation of Music 

136. Practical  Paper – I Code - PA 403 A

Name - Stage Performance 

137. Practical  Paper – II Code - PA 404 A

Name - Dissertation  

138. Practical  Paper – III Code - PA 405 A

Name - Viva – Voce  

M.A. PERFORMING ART (INSTRUMENT-SITAR) 4TH  Semester

139. Theory Paper - I Code - PA 401 (Common Paper)

Name - History of Modern  Indian Music 

140. Theory Paper - II Code - PA 402 (Common Paper)

 Name - Philosophy and Aesthetic appreciation of Music 

141. Practical  Paper – I Code - PA 403 B

Name - Stage Performance 

142. Practical  Paper – II Code - PA 404 B

Name - Dissertation  

143. Practical  Paper – III Code - PA 405 B

Name - Viva – Voce  

M.A. PERFORMING ART (TAL-VADYA) 4TH  Semester

144. Theory Paper - I Code - PA 401 (Common Paper)

Name - History of Modern  Indian Music 

145. Theory Paper - II Code - PA 402 (Common Paper)

 Name - Philosophy and Aesthetic appreciation of Music 

146. Practical  Paper – I Code - PA 403 C

Name - Stage Performance 

147. Practical  Paper – II Code - PA 404 C

Name - Dissertation  

148. Practical  Paper – III Code - PA 405 C

Name - Viva – Voce  

 

5.      Interdisciplinary courses and departments involved:  No


6.      Courses in collaboration with other universities, industries, foreign institutions, No


7.      Details of programmes / courses discontinued, if any, with reasons    No


8.      Annual/Semester/Choice Based Credit System:

A.   B.A.(Visual Art and Performing Art )-Annual

B.    M.A.(III & IV Semester) (Visual Art and Performing Art )-Semester

C.   M.A. (I& II Semester) ( (Visual Art and Performing Art )-Choice Based CreditSystem.

9.      Participationof the department in the courses offered by other departments:           

NONE

 

10.  Numberof teaching posts sanctioned and filled

 

 

sanctioned

filled

Professors

Nil

01

Associate Professors

01

Nil

Asst. Professors

09

05

11.  Faculty profile with name, qualification, designation and specialization

(D.Sc./D.Litt./Ph.D./M.Phil., etc.)

 

Name

Prof. Usha Singh

Qualification

D.Mus.

Designation

Professor

Specialization

Performing Art (Instrumental Music-Sitar)

No. of Years of Experience

26 Years

No. of Ph.D. students

guided for the last 5 years

 04 + 02 PDF 

 

Name

Dr. Gauri Shankar Chauhan

Qualification

Ph.D.

Designation

Assistant Professor

Specialization

Visual Art (Communication Art)

No. of Years of Experience

02 Years

No. of Ph.D. students

guided for the last 5 years

 Nil 

 

Name

Dr. Pradeep Kumar  Sahani

Qualification

Ph.D.

Designation

Assistant Professor

Specialization

Visual Art (Panting)

No. of Years of Experience

02 Years

No. of Ph.D. students

guided for the last 5 years

Nil 

 

Name

Shubhaker Dey 

Qualification

M.Musicology

Designation

Assistant Professor

Specialization

Performing Art (Vocal Music)

No. of Years of Experience

02 Years

No. of Ph.D. students

guided for the last 5 years

 Nil 

 

Name

Shraddha Shukla

Qualification

M.F.A.

Designation

Assistant Professor

Specialization

Visual Art (Applied Art)

No. of Years of Experience

09 Years

No. of Ph.D. students

guided for the last 5 years

 Nil 

 

Name

Pradeep Rajoriya

Qualification

M.F.A.

Designation

Assistant Professor

Specialization

Visual Art (Creative Panting)

No. of Years of Experience

02 Years

No. of Ph.D. students

guided for the last 5 years

 Nil

 

12.  List of senior Visiting Fellows, faculty, adjunct faculty, emeritus professors:           

NONE

13.  Percentage of classes taken by temporary faculty – programme-wise information:   

NONE

14.  Programme-wiseStudent Teacher Ratio:

 

15.  Numberof academic support staff (technical) and administrative staff: sanctioned

and filled

 

 

sanctioned

filled

Academic Support Staff (Technical) / Tabla Accompanist

03

Nil

Administrative staff

04

01  

 

16.  Research thrust areas recognized by funding agencies:

UGC, New Delhi

17.  Number of faculty with ongoing projects from a) national b) international funding

agencies and c)Total grants received. Give the names of the funding agencies and

grants received project-wise. :

NONE

18.  Inter-institutional collaborative projects and grants received

a)      All India collaboration b) International

NONE

 

19.  Departmental projects funded by DST-FIST; UGC-SAP/CAS, DPE; DBT, ICSSR,

etc.; total grants received. :

NONE

 

20.  Research facility / centre with

·        state recognition

·         national recognition

·        international recognition

NONE

 

21.  Special research laboratories sponsored by / created by industry or corporate bodies:

NONE

 

 

22.  Publications:

* Number of papers published in peer reviewed journals (national / international)

 

* Monographs  :  NIL 

 

* Chapters in Books

 

Name of the teacher

 

Title of the book

Title of the Chapters

National / international

Year of publication

ISBN/ISSN number of the proceeding

Name of the publisher

Prof. Usha Singh

’’आर्षभी’’ (कला के विविघ आयाम -  दृश्य-श्रव्य  के परिप्रेक्ष्य में)

’’हिन्दी फिल्म संगीत की व्यावसायिक स्थिति-प्रतिस्पर्धा, अनुकूल वातावरण’’

National

2016

ISBN No : 978-93-8105488-8

नील कमल प्रकाशन, गोरखपुर

Dr. Pradeep Kumar Sahani

’’आर्षभी’’ (कला के विविघ आयाम -  दृश्य-श्रव्य  के परिप्रेक्ष्य में)

कलाकार के मनोभाओं की प्रस्तुतिकरण ’आत्म चित्रण’

National

2016

ISBN No : 978-93-8105488-8

नील कमल प्रकाशन, गोरखपुर

Pradeep Rajoriya

Community Heath through Physical Education Art

Corelated Physical Education & Visual Arts as a strongest Tool in Education System

National

2019

ISBN No : 978-84-937106-4-7

Shri Gyansagar Publication, Meerut City

Dr. Gauri Shankar Chauhan

’’आर्षभी’’ (कला के विविघ आयाम -  दृश्य-श्रव्य  के परिप्रेक्ष्य में)

कला और संगीत के समागम

National

2016

ISBN No : 978-93-8105488-8

नील कमल प्रकाशन, गोरखपुर

Shubhanker Dey

शिल्पायन संगीत लेख मंजूषा

नाट्यशास्त्र में मार्ग ताल एवं उनके प्रयोग स्थल

National

2014

ISBN No : 978-93-81999-45-5

शारदा संस्कृत संस्थान, वाराणसी

Shubhanker Dey

शिल्पायन संगीत लेख वीथिका 

संगीतरत्नाकरोंक्त स्वरसाधारण एवं तदनुसार प्राप्त विकृत स्वर 

National

2015

ISBN No : 978-93-8514-915-3

ल्यूमिनस् बुक्स,  वाराणसी

Shubhanker Dey

शिल्पायन संगीत लेख संग्रह  

विदुषी अश्विनी भिडे देशपाण्डे जी के बंदिशों में निहित सांगितिक एवं साहित्यिक तत्त्वों का विवेचन

National

2017

ISBN No : 978-93-81999-90-5

शारदा संस्कृत संस्थान, वाराणसी

Shubhanker Dey

शिल्पायन संगीत लेख समाहार

वाग्गेयकारिता के आलोक में पंडित जसराज

National

2019

ISBN No : 978-81-935801-8-9

शारदा संस्कृत संस्थान, वाराणसी

Shubhanker Dey

शास्त्रीय संगीत एवं वर्तमान परिवेश 

The Technological Advancements and Indian Classical Music 

National

2019

ISBN No : 978-93-88179-41-6

K. R. Publication, New Delhi


* Edited Books

 

Name of the teacher

 

Title of the book/chapters  published

National / international

Year of publication

ISBN/ISSN number of the proceeding

Name of the publisher

Prof. Usha Singh (Editor)

’’आर्षभी’’ (कला के विविघ आयाम -  दृश्य-श्रव्य  के परिप्रेक्ष्य में)

National

2016

ISBN No : 978-93-8105488-8

नील कमल प्रकाशन, गोरखपुर

Shubhanker Dey (Editor)

शिल्पायन संगीत लेख संचयन 

National

2016

ISBN No : 978-93-81999-72-1

शारदा संस्कृत संस्थान, वाराणसी

 

* Bookswith ISBN with details of publishers

 

Name of the teacher

 

Title of the book/chapters  published

National / international

Year of publication

ISBN/ISSN number of the proceeding

Name of the publisher

Shubhanker Dey

भारतीय संगीत की विभिन्न ताल पद्वतियाँ  

National

2016

ISBN No : 978-93-81999-89-9

शारदा संस्कृत संस्थान, वाराणसी

 

* Number listed in International Database (For e.g. Web of Science, Scopus,

   Humanities International Complete, Dare Database - International Social

    Sciences Directory, EBSCO host, etc.)           :NIL  

* Citation Index – range / average                      : NIL 

* SNIP                                                                 : NIL 

* SJR                                                                   : NIL 

* Impact Factor – range / average                       : NIL 

* h-index                                                             : NIL 

 

23.  Details of patents and income generated:        : NIL 

 

24.  Areas of consultancy and income generated:   : NIL 

 

25.   Faculty selected nationally/ internationally to visit other laboratories in India and

abroad:                                                : NIL 

 

26.   Faculty serving in                                a) National committees          

b) International committees

c) Editorial Boards                                                                                                                                                                                       

d) any other (please specify)                                                                                                  

 

Name of Faculty – Dr. Usha Singh                   

S.N.

Committees Name

01

Faculty serving in editorial Boards  (Manviki  Research  journal)                                                                                                                                                                             

02

Boards of Studies R.M.L. University Faizabad

03

Boards of Studies Siddhartha University, Siddharth Nagar

04

Boards of Studies Veer Bahadur Singh Purvanchal university, jaunpur

05

Member of Academic Council, DDU Gorakhpur university, Gorakhpur

           

                       

27.  Faculty recharging strategies (UGC, ASC,       :                                                                                         Refresher/ orientation programs, workshops,                                                                                                  training programs and similar programs).        

28.  Student projects:

Dissertation/Project Work in Both Visual Art and Performing Art is 100% Compulsory for Post Graduate Student.

 

29.  Awards/ recognitions received at the national and international level by:

·        Faculty

Name of full time  teachers receiving awards

Name & Year of Award

 

Designation

Name of the award, fellowship, received from Government or recognized bodies

SHUBHANKER DEY

MUSICOLOGY AWARD 2019

Assistant Professor

INDIAN MUSICOLOGICAL SOCIETY

 

·        Doctoral / post doctoral fellows

·        Students

30.Seminars/ Conferences/Workshops organized and the source of funding (national /

international)with details of outstanding participants, if any.

 

Name of the Seminar

Date

Source of Funding

NIL

 

Name of the workshop

Date

Source of Funding

कला के विविघ आयाम - दृश्य.श्रव्य  के परिप्रेक्ष्य में

20/01/2016  – 23/01/2016

U.G.C., New Delhi

ललित कला के लयात्मक तत्व सौन्दर्य के परिप्रेक्ष्य में

16/01/2018  - 20/01/2018

U.G.C., New Delhi

 

31.Code of ethics for research followed by the departments:     

Ethics for Research followed by the departments as per University and UGC Guidelines. 

 

32.Student profile course-wise:

Name of the Course

 

Applications received

 

Selected

(Male/ Female)

Pass percentage

(Male/ Female)

2014-2015

U.G. (Visual Art)

 

120 (64-M/56-F)

 

U.G. (Performing Art)

09 (05-M/04-F)

 

2015-2016

U.G. (Visual Art)

 

87 (38-M/49-F)

 

U.G. (Performing Art)

08 (02-M/06-F)

 

2016-2017

U.G. (Visual Art)

 

83 (25-M/58-F)

 

U.G. (Performing Art)

06 (06-M/00-F)

 

2017-2018

U.G. (Visual Art)

 

80 (23-M/57-F)

 

U.G. (Performing Art)

18 (08-M/34-F)

 

2018-2019

U.G. (Visual Art)

 

179 (43-M/136-F)

 

U.G. (Performing Art)

 34(17-M/17-F)

 

2014-2015

P.G. (Visual Art)

106

42 (08-M/34-F)

39.62%

P.G. (Performing Art)

10

07 (01-M/00-F)

70%

2015-2016

P.G. (Visual Art)

153

37 (17-M/20-F)

24.18%

P.G. (Performing Art)

18

14 (03-M/11-F)

77.78%

2016-2017

P.G. (Visual Art)

102

42 (10-M/32-F)

41.18%

P.G. (Performing Art)

15

12 (04-M/08-F)

80%

2017-2018

P.G. (Visual Art)

105

49 (21-M/28-F)

46.67%

P.G. (Performing Art)

21

16 (04-M/12-F)

76.19%

2018-2019

P.G. (Visual Art)

83

50 (11-M/39-F)

60.24%

P.G. (Performing Art)

12

06 (02-M/04-F)

50%

2014-2019

Ph.D

01

01 (01-M/00-F)

100% (100%-M/00%-F)

Post-Doctoral

01

01 (00-M/01-F)

100% (00%-M/100%-F)


33.Diversity of students:

 

      2018-2019

Name of the

Course

 

% of Students from the

Same university

 

% of students from other universities

within the State

% of students

from

universities

outside the

State

% of students

From other countries

 

2014-2015

M.A. Visual Art

100%

00

00

00

M.A. Performing  Art

100%

00

00

00

2015-2016

M.A. Visual Art

100%

00

00

00

M.A. Performing  Art

100%

00

00

00

2016-2017

M.A. Visual Art

100%

00

00

00

M.A. Performing  Art

100%

00

00

00

2017-2018

M.A. Visual Art

98%

02%

00

00

M.A. Performing  Art

98%

02%

00

00

2018-2019

M.A. Visual Art

96%

04%

00

00

M.A. Performing  Art

100%

00

00

00

 

34. How many students have cleared Civil Services and Defense Services

examinations,NET, SET, GATE and other competitive examinations? Give details

category-wise.

 

Sl.No.

Name of the Student

Category

1

Manish prajapati

JRF (2014)

2

Chaturbhuj narayan

JRF (2015)

3

Amit

JRF (2016)

5

Vinay kumar yadav

NET (2017)

6

parshuram yadav

NET (2017)

7

Sanjay Kumar singh

NET (2017)

8

Pradeep kumar sahani

NET (2015)

9

Priyanka singh

NET (2018)

10

Durgesh nandini

NET (2018)

11

Aradhana shriwastwa

JRF (2017)

12

Pragati yadav

JRF (2016)

13

Nawaz ahmed

NET (2018)

14

Vinita gupta

NET (2018)

15

Moolchand verma

NET (2018)

16

Vinay gupta

NET (2018)

17

Sangeet tripathi

NET (2015)

18

Shikhar tripathi

JRF (2019)

19

Chandan singh

JRF (2019)

20

Vishnu dev Sharma

NET (2019)

21

Neha

JRF (2014)

22

Kaushal prajapati

JRF (2019)

23

Shivanand Rai

NET (2018)

24

Diksha kushwaha 

NET (2018)

25

Chanda yadav

NET (2018)

26

Vishal yadav

NET (2017)

27

Tithi singh

NET (2018)

28

Nisha Madhesiya

NET (2018)

29

Sushma

NET (2018)

30

Manita Paswan

NET (2018)

31

Durgesh prajapati

NET (2018)

32

Madhu Gupta

NET (2014)

33

Renulata Singh

NET (2014)

34

Ashish Kumar Pandey

NET (2019)

35

Ramujagir

NET (2019)

36

Dhirendra kumar

NET (2019)

37

Nitish  

NET (2019)

38

Komal madhesiya

NET (2019)

39

Rohit kumar

NET (2019)


35.Student progression

Student progression

Percentage against enrolled

UG to PG

96 %

PG to M.Phil.

NIL

PG to Ph.D.

0%

Ph.D. to Post-Doctoral

NIL

 

Employed

· Campus selection

· Other than campus recruitment

Sl.No.

Name of the Student

Remarks

1

Manish prajapati

T.G.T.  Maharajgang

2

Chaturbhuj narayan

Kendriy vidhyalay baghpath

3

Amit

K.V.S. kerala

4

Sushil Kumar

L.T. Grade Gorakhpur

5

Vinay kumar yadav

L.T. Grade

6

Ritash chaudhari

T.G.T.

7

Gauri Shankar chauhan

D.D.U.G.U.GKP.

8

Pradeep kumar sahani

D.D.U.G.U.GKP.

9

Priyanka singh

Marwar college gorakhpur

10

Aradhana shriwastwa

K.V.S. kerala

11

Pragati yadav

T.G.T.  krish kumari inter college gkp

12

Nawaz ahmed

B.S.F. calligraphy

13

Vinita gupta

Agra rajkiya mahavidyalay

14

Moolchand verma

Gaziabad rajkiya mahavidyalay

15

Vinay gupta

Gujrat

16

Sangeet tripathi

Silchar

17

Dharmvir chaudhari

D.S.S.B. Delhi

18

Sandhya maurya

D.S.S.B. Delhi

19

Diksha kushwaha 

L.T. Grade

20

Abhishek singh

J.P. Inter College (P.G.T.)

21

Madhu Gupta

K.V.S. (M.P.)

22

Sunil prajapati

T.G.T.  Bulandshahar

23

Moon sriwastva 

Convent school gkp.

24

Anu shukla

Convent school gkp.

25

Poonam Sharma

Convent school gkp.

26

Deepak pandey

Convent school jharkhnd

27

Ravi prakash

k.v.s. aasam

28

Emita das

Convent school gkp.

29

Udit das 

Convent school gkp.

30

Santosh chuibey

Sunvin school gonda

31

Rajesh gautam

Degari college gkp.

32

Krishn pratap

k.v.s. kaporthala panjab

33

Dhiraj kushwaha

T.G.T. Gorakhpur

34

Ramesh prajapati

Degari college sidharthnagar

35

Vijay gupta

Art teacher bihar

36

Mamta das

Inter college basti

37

Chandan jaswal

Karpet designer  mirjapur

38

Birju jaswal

Graphic designer pune 

39

Soni chauhan

Inter college varansi

40

Menka solanki

T.G.T. santkavir nagar

41

Ashutosh

T.G.T. Allahabad

42

Yogeswar

P.G.T. Kanpur

43

Ashish narayan mishra

T.G.T. Kanpur

44

Abhimanyu Prasad chaibey

P.G.T. devrea

45

Arti gupta

T.G.T. lucknow   

46

Sangeeta singh

T.G.T. gajiabad

47

Avanish sriwastav  

T.G.T. basti   

48

Rajneesh anand

T.G.T. santkavir nagar 

49

Amit kumar

K.V.S. Madurai    

50

Sandeep sriwastav

Convent school gkp.

51

Sagar

T.G.T. Gorakhpur  

52

Rekha rani Sharma

Degari college Gorakhpur

53

Richa dubey

Degari college Gorakhpur

54

Sweta verma

Degari college Gorakhpur

55

parshuram yadav

Allahabad university

56

Dileep divedi

UPP santkavir nagar

57

Madhurita singh

Degari college Gorakhpur

58

Sangeeta churasiya

Degari college Gorakhpur

59

Saloni mishra

Degari college Gorakhpur

60

Babu ram chauhan

K.V.S. M.P.  

61

Shashikant Singh

T.G.T. Deoria  

 

Entrepreneurs

36.Diversity of staff

Percentage of faculty who are graduates-

 

Teaching Staff 

Non-Teaching Staff 

of the same university :

33.33 %

100%

from other universities within the State:

66.67%

NIL

from universities from other States:

NIL

NIL

from universities outside the country:

NIL

NIL

 

37.Number of faculty who were awarded Ph.D., D.Sc. and D.Litt. during the

Assessment period :                                             

NONE

 

38.Present details of infrastructural facilities with regard to

a)Library :            01

b)Internet facilities for staff and students:  NIL

c)Total number of class rooms : 02

d) Classrooms with ICT facility : NIL

e)Students‘ laboratories : 06

f)Research laboratories :  NIL

39.List of doctoral, post-doctoral students and Research Associates

a) from the host university :

 

Name of the PhD/PDF scholar

Name of the guide/s

Title of the thesis

Year of registration of the scholar

Year of award of PhD

Dr. Usha Yadav

Prof. Usha Singh

 

 

 

Ritesh Kumar Chaudhari

Prof. Usha Singh

वीणा वादन के क्षेत्र में सांस्कृतिक धरोहर स्वरूप पं0 लाल मणि मिश्रा का व्यक्तित्व एवं कृतित्य

2012

2019

Priyanka Singh

Dr. Karuna Sibbu

भारतीय टेक्सटाइल के कलात्मक सौष्ठव में गुजरात का उल्लेखनीय योगदान एवं विश्लेषणात्मक अध्ययन

2010

2016

Ruchi Gupta

Prof. Usha Singh

सरसरंग (पंडित रामनारायण मणि त्रिपाठी) के सांगीतिक व्यक्तिव का वाग्गेयकार के रूप में समीक्षात्मक अध्ययन

2008

2015

Arpita Banerjee

Prof. Usha Singh

पूर्वांचल के लोकगीतों का सांस्कृतिक एवं सांगीतिक अध्ययन

2008

2017

Shweta Verma

Dr. Bharat Bhusan

कलाकार शिक्षाविद् एवं कला प्रशासक प्रो0वी0पी0 काम्बोजः एक समीक्षात्मक अध्ययन 

2007

2016

Arati Gupta

Dr. Rajeshwar Aacharya

भारतीय संगीत में निहित चित्रकलात्मक तत्वों का मीमांसापरक अनुशीलन

2007

2016

Vikash Sharma

Prof. Manoj Kumar Singh

काशी के गलियों में निर्मित मंदिर वास्तुकला में उपलब्ध कलाकृतियों का समीक्षात्मक अध्ययन (मैदागिन से गोदौलिया के मध्य गंगा तीरे)

2001

2014

 

 

b)      from other universities :

 

Name of the PhD/PDF scholar

Name of the guide/s

Title of the thesis

Year of registration of the scholar

Year of award of PhD

Dr. Shilpi Nahar 

Prof. Usha Singh

18 वीं शताब्दी से अदयतन सितार की बनावट एवं वादन शैली के विकास का अन्तर सम्बन्ध      (एक विश्लेषणात्मक अध्ययन)

2017

 

Pradeep Rajoriya

Prof. Usha Singh

’’रामायण के दृष्टान्तों पर आधारित चित्र एवं चित्रकार’’ एक सर्वेक्षण परक अध्ययन (गीता प्रेस के सन्दर्भ में )

2019

 

 

 

 

40.Number of post graduate students getting financial assistance from the

University:

   NA

       

41. Was any need assessment exercise undertaken before the development of new

Programme(s)? If so, highlight the methodology.

 

42.Does the department obtain feedback from:

 

a. faculty on curriculum as well as teaching-learning-evaluation? If yes, how does

the department utilize the feedback?

Receives Feedback Form from the Students on Teaching and Learning process and tries to incorporate its suggestions for up-gradation of syllabi                                                                                                                                                                                           

b. students on staff, curriculum and teaching-learning-evaluation and how does

the department utilize the feedback?

NIL

 

 

c. alumni and employers on the programmes offered and how does the department

utilize the feedback?

Feedback from Employers is received and issued to in cultivate new programmes and for the development of Department.  

 

43.List the distinguished alumni of the department (maximum 10)

 

SI.NO.

NAME

AT PRESENT DEPARTMENT

1.

डाॅ0 ज्योति भण्डारी

प्रो. त्रिभुवन यूनिवर्सिटी, काठमांडू नेपाल 

2.

डाॅ0 रूचि गुप्ता

स्वतंत्र कलाकार यू.एस.ए.

3.

डाॅ0 अर्पिता बनर्जी

म्यूजिंक लेक्चर, दिल्ली

4.

सारिका बाला

फाईन आर्ट, प्रवक्ता, कानपुर

5.

राजकुमारी

फाईन आर्ट, प्रवक्ता, कानपुर

6.

डाॅ0 गौरी शंकर चैहान

सहायक आचार्य, दी.द.उ. गोरखपुर विश्वविद्यालय, गोरखपुर 

7.

राकेश

आर्ट डायेरेक्टर फिल्म इन्डस्ट्री बाम्बे

8.

सीमा गुप्ता

कला निदेशक, फिल्म इन्डस्ट्री बाम्बे

9.

डाॅ. राम निवास यादव

मेकप मैन, फ्रिलाॅसर एण्ड फिल्म

10.

डाॅ. दिव्या सिंह

प्रवक्ता, आर्ट आॅफ हिस्ट्री दृश्यकला संकाय का.हि.वि.वि. वारा.

11.

डाॅ0 प्रदीप कुमार साहनी

सहायक आचार्य, दी.द.उ. गोरखपुर विश्वविद्यालय, गोरखपुर

 

44.Give details of student enrichment programmes (special lectures / workshops /

seminar)involving external experts:

 

45.List the teaching methods adopted by the faculty for different programmers:

Teaching Methods adopted are- ClassLecture, from C Dies, Stage Performance, Exhibition etc.                                                                                                                                                                 

 

46. Howdoes the department ensure that programme objectives are constantly met and

learningoutcomes are monitored? :

By getting responses and suggestions fromStudent.

 

47.Highlight the participation of students and faculty in extension activities.

48.Give details of ―beyond syllabus scholarly activities‖ of the department.

49.State whether the programme/ department is accredited/ graded by otheragencies?

If yes,give details. :

NO

 


Sr. No.
 Teacher Name
Designation
Mobile No.
Photo
Profile
1Prof. Usha SinghProfessor9838925165View
2Dr. Gauri Shankar ChauhanAsst. Professor7270855317View
3Dr. Pradeep Kumar SahaniAsst. Professor9451687513View
4Mr. Pradeep RajoriyaAsst. Professor9452827873View
5Ms. Shraddha ShuklaAsst. Professor7728849381View
6Mr. Shubhanker DeyAsst. Professor9455792680View

Under Maintanance

 Sr. No. Course Syllabus CBCS

Research Projects (Last 5 Years)

Project Title
Investigator
Funding Agency
Department
State/Central Govt.
Funds
Year
Duration
Lora=rk iwoZ ,oa Lokra=ksRrj Hkkjrh; fQYe laxhr esa ok|ksa dk iz;ksx rFkk mudk lekt ij izHkko ,d leh{kkRed v/;;uProf. Usha Singh UGC Fine Art And Music Government 4.3720192.5 Years

Research Papers

Title of PaperName of the Author/sDepartment of the TeacherName of journalYear of publicationISSNnumber
फिल्म संगीत एवं वाद्यवृन्द्वProf. Usha SinghFine Art And Music'स्तोम' कला अभिव्यक्ति का माध्यम20142231-1041

Books/Chapters in books and conference proceedings

Teacher NameTitle of Book/ChapterTitle of the PaperTitle of the proceedings of the conferenceYear of publicationISBN/ISSN numberAffiliating InstituteName of the publisher
Shubhanker Dey शिल्पायन संगीत लेख समाहार वाग्गेयकारिता के आलोक में पंडित जसराज  2019ISBN No : 978-93-8105488-8Deen Dayal Upadhyaya Gorakhpur Universityशारदा संस्कृत संस्थान, वाराणसी
Prof. Usha Singh’’आर्षभी’’ (कला के विविघ आयाम - दृश्य-श्रव्य के परिप्रेक्ष्य में)’’हिन्दी फिल्म संगीत की व्यावसायिक स्थिति-प्रतिस्पर्धा, अनुकूल वातावरण’’-----------2016ISBN No : 978-93-8105488-8Deen Dayal Upadhyaya Gorakhpur Universityनील कमल प्रकाशन, गोरखपुर
Prof. Usha Singh (Editor)’’आर्षभी’’ (कला के विविघ आयाम - दृश्य-श्रव्य के परिप्रेक्ष्य में)----------------------2016ISBN No : 978-93-8105488-8Deen Dayal Upadhyaya Gorakhpur Universityनील कमल प्रकाशन, गोरखपुर
  • Under Maintanance
  • Under Maintanance
Sr. No.
 Teacher Name
Designation
Mobile No.
Photo
Profile