DEPARTMENTAL PROFILE
1. Name of the Department: Fine Art and Music
2. Year of establishment: 1958
3. Is the Department part of a School/Faculty of the university? Yes, Faculty of Art
4. Names of Programmes / Courses offered (UG, PG, M.Phil., Ph.D., and Integrated Masters;Integrated Ph.D., etc.) :
Name of the Programme |
Name of the Course |
BA I
(VISUAL ART) |
1.Theory Paper - I Fundamental Principles of Visual Art
2- Practical Paper – I Fine Art (Pictorial Composition, Still Life)
3. Practical Paper – II Communication Art (Communication Design, Space Awareness)
4. Practical Paper – III Plastic Art (Creative Composition, Drawing) |
BA II
(VISUAL ART) |
5. Theory Paper – I Indian Culture and Art
6. Theory Paper – II Indian Sculpture and Architecture
7. Practical Paper – I Fine Art : Nature Study, Creative Composition
8. Practical Paper – II Communication Art : Illustration, Communication Design
9. Practical Paper – III Plastic Art : Mould, Composition |
BA III
(VISUAL ART) |
10. Theory Paper – I History of Modern Indian art and artist.
11. Theory Paper – II Aesthetic appreciation of Indian arts.
12.Theory Paper – III Group A Advanced technique of Visual Art (only for Fine Art)
Theory Paper – III Group B Advanced technique of communication design Art (only for
communication Art)
Theory Paper – III Group C Advanced Methods Materials of sculpture Art (only for Plastic
Art)
13. Practical Paper – I Fine Art Group A & B (Creative Composition and Mural, B Textile and
Graphic)
Practical Paper – I Comm. Art Group C& D (Communication Design and Designing of
Novelty, D Illustration and Cartoon Design)
Practical Paper – I Plastic Art Group E &F (Creative Composition and Relief, F Terracotta
and Pottery)
14. Practical Paper – II Drawing (Common Paper) |
BA I
(PERFORMING ART) |
15.Theory Paper – I History & Technique of Indian Music
16- Practical Paper – I Study of Ragas in Vocal Music
17- Practical Paper – II Study of Ragas in Instrumental Music
18- Practical Paper – III Study of Talas for Talvadya |
BA II
(PERFORMING ART) |
19. Theory Paper – I Study of Indian & Westwrn Music
20- Theory Paper – II Technical Theory of Ragas & Talas
21- Practical Paper – I Vocal Study of Ragas in Vocal Music
22- Practical Paper – II Instrumental Study of Ragas in Instrumental Music
23- Practical Paper – III Table/Mridanga Study of Talas in Talvadya |
BA III (PERFORMING ART) |
24. Theory Paper – I Contribution of Indian Music
25. Theory Paper – II Music appreciation & contribution of Indian musicians.
26. Theory Paper – III Group A Technical theory of Vocal music (only for Vocal music)
Theory Paper – III Group B Technical theory of Instrumental music (only for Sitar)
Theory Paper – III Group C Technical theory of Talvadya music (only for Tabla)
27- Practical Paper – I Group A Vocal Music Advance study of Ragas for Vocal Music
Practical Paper – I Group B Instrumental Music Advance study of Ragas for
Practical Paper – I Group C Talvadya Music Advance study of Ragas for Talvadya Music
28- Practical Paper – II Group A Vocal Music Advance study of Ragas for Vocal Music Instrumental Music
Practical Paper – II Group B Instrumental Music Composition & Improvisation
Practical Paper – II Group C Talvadya Music Composition & Improvisation |
M.A. VISUAL ART (FINE ART) 1st Semester |
29. Theory Paper - I Code - VA 101 (Common Paper)
Name – History of Modern Indian Art & Artists.
30. Theory Paper - II Code - VA 102 A
Name - Advance techniques of Visual Art
31- Practical Paper – I Code - VA 103 A
Name - Creative Drawing & Portrait
32. Practical Paper – II Code - VA 104 A
Name - Creative composition
33. Practical Paper – III Code - VA 105 A
Name - Graphic Design printing |
M.A. VISUAL ART (COMMUNICATION ART) 1st Semester |
34. Theory Paper - I Code - VA 101 (Common Paper)
Name – History of Modern Indian Art & Artists.
35.Theory Paper - II Code - VA 102 B
Name - Advance techniques of Visual Art
36. Practical Paper – I Code - VA 103 B
Name - Creative Drawing & Portrait
37. Practical Paper – II Code - VA 104 B
Name - Visual communication Design
38. Practical Paper – III Code - VA 105 B
Name - Advance Illustration |
M.A. VISUAL ART (PLASTIC ART) 1st Semester |
39. Theory Paper - I Code - VA 101 (Common Paper)
Name – History of Modern Indian Art & Artists.
40- Theory Paper - II Code - VA 102 C
Name - Advance techniques and material of sculpture
41. Practical Paper – I Code - VA 103 C
Name - Creative Drawing & Portrait
42- Practical Paper – II Code - VA 104 C
Name - Creative Composition
43. Practical Paper – III Code - VA 105 C
Name - Modeling & Casting in Clay or POP |
M.A. VISUAL ART (FINE ART) 2ND Semester |
44. Theory Paper - I Code - VA 201 (Common Paper)
Name – History of European (From Pre- Historic to 18th Century)
45- Theory Paper - II Code - VA 202 A
Name - Indian Philosophy & Aesthetic appreciation of Art
46. Practical Paper – I Code - VA 203 A
Name - Creative Textile Design
47. Practical Paper – II Code - VA 204 A
Name - Creative Mural Paining
48. Practical Paper – III Code - VA 205 A
Name - Fundamental of Computer |
M.A. VISUAL ART (COMMUNICATION ART) 2ND Semester |
49. Theory Paper - I Code - VA 201 (Common Paper)
Name – History of European (From Pre- Historic to 18th Century)
50. Theory Paper - II Code - VA 202 B
Name - Indian Philosophy & Aesthetic appreciation of Art
51. Practical Paper – I Code - VA 203 B
Name - Animation Graphic Design
52. Practical Paper – II Code - VA 204 B
Name - Advertising campaign
53. Practical Paper – III Code - VA 205 B
Name - Fundamental of Computer |
M.A. VISUAL ART (PLASTIC ART) 2ND Semester |
54. Theory Paper - I Code - VA 201 (Common Paper)
Name – History of European (From Pre- Historic to 18th Century)
55. Theory Paper - II Code - VA 202 C
Name - Indian Philosophy & Aesthetic appreciation of Art
56. Practical Paper – I Code - VA 203 C
Name - Wood Carving
57. Practical Paper – II Code - VA 204 C
Name - Creative Mural Painting
58. Practical Paper – III Code - VA 205 C
Name - Fundamental of Computer |
M.A. VISUAL ART (FINE ART) 3RD Semester |
59. Theory Paper - I Code - VA 301 (Common Paper)
Name – History of European Art & Artists.
60. Theory Paper - II Code - VA 302 A
Name - Advance creative technique of Visual Art
61. Practical Paper – I Code - VA 303 A
Name - Creative Composition & Installation
62. Practical Paper – II Code - VA 304 A
Name - Creative Mural Painting Practical
63. Paper – III Code - VA 305 A
Name - Advance Print making |
M.A. VISUAL ART (COMMUNICATION ART) 3RD Semester |
64. Theory Paper - I Code - VA 301 (Common Paper)
Name – History of European Art & Artists.
65. Theory Paper - II Code - VA 302 B
Name - Advance technique of Visual Advertising & Mass media
66. Practical Paper – I Code - VA 303 B
Name - Creative Visualization
67. Practical Paper – II Code - VA 304 B
Name - Creative Mural Painting
68. Practical Paper – III Code - VA 305 B
Name - Advance Print making |
M.A. VISUAL ART (PLASTIC ART) 3RD Semester |
69. Theory Paper - I Code - VA 301 (Common Paper)
Name – History of European Art & Artists.
70. Theory Paper - II Code - VA 302 C
Name - Advance creative Technique of Plastic Arts
71. Practical Paper – I Code - VA 303 C
Name - Creative Study From Life
72. Practical Paper – II Code - VA 304 C
Name - Creative Mural
73. Practical Paper – III Code - VA 305 C
Name - Advance Wood carving |
M.A. VISUAL ART (FINE ART) 4TH Semester |
74. Theory Paper - I Code - VA 401 (Common Paper)
Name – History of Modern European Art & Artists.
75. Theory Paper - II Code - VA 402 (Common Paper)
Name - Western Philosophy and Aesthetic appreciation of Art
76. Practical Paper – I Code - VA 403 A
Name - Creative Project Work
77. Practical Paper – II Code - VA 404 A
Name - Dissertation and Display of class works
78. Paper – III Code - VA 405 A
Name - Viva – Voce |
M.A. VISUAL ART (COMMUNICATION ART) 4TH Semester |
79. Theory Paper - I Code - VA 401 (Common Paper)
Name – History of Modern European Art & Artists.
80. Theory Paper - II Code - VA 402 (Common Paper)
Name - Western Philosophy and Aesthetic appreciation of Art
81. Practical Paper – I Code - VA 403 B
Name - Creative Ad Project Work
82. Practical Paper – II Code - VA 404 B
Name - Dissertation and Display of class works
83. Practical Paper – III Code - VA 405 B |
M.A. VISUAL ART (PLASTIC ART) 4TH Semester |
84. Theory Paper - I Code - VA 401 (Common Paper)
Name – History of Modern European Art & Artists.
85. Theory Paper - II Code - VA 402 (Common Paper)
Name - Western Philosophy and Aesthetic appreciation of Art
86. Practical Paper – I Code - VA 403 C
Name - Creative Ad Project Work
87. Practical Paper – II Code - VA 404 C
Name - Dissertation and Display of class works
88. Practical Paper – III Code - VA 405 C
Name - Viva – Voce |
M.A. PERFORMING ART (VOCAL) 1st Semester |
89. Theory Paper - I Code - PA 101 (Common Paper)
Name - History & Aesthetic Appreciation of Indian Music
90. Theory Paper - II Code - PA 102 A
Name - Technical Composition of Ragas
91. Practical Paper – I Code - PA 103 A
Name - Practical study of Ragas
92. Practical Paper – II Code - PA 104 A
Name - Compositional study of Ragas
93. Practical Paper – III Code - PA 105 A
Name - Performing presentation |
M.A. PERFORMING ART (INSTRUMENT-SITAR) 1st Semester |
94. Theory Paper - I Code - PA 101 (Common Paper)
Name - History & Aesthetic Appreciation of Indian Music
95. Theory Paper - II Code - PA 102 B
Name - Technical Composition of Ragas
96. Practical Paper – I Code - PA 103 B
Name - Practical study of Ragas
97. Practical Paper – II Code - PA 104 B
Name - Compositional study of Ragas
98. Practical Paper – III Code - PA 105 B
Name - Performing presentation |
M.A. PERFORMING ART (TAL-VADYA) 1st Semester |
99. Theory Paper - I Code - PA 101 (Common Paper)
Name - History & Aesthetic Appreciation of Indian Music
100. Theory Paper - II Code - PA 102 C
Name - Technical Composition of Ragas
101. Practical Paper – I Code - PA 103 C
Name - Practical study of Ragas
102. Practical Paper – II Code - PA 104 C
Name - Compositional study of Ragas
103. Practical Paper – III Code - PA 105 C
Name - Performing presentation |
M.A. PERFORMING ART (VOCAL) 2ND Semester |
104. Theory Paper - I Code - PA 201 (Common Paper)
Name - Aesthetic Appreciation of Indian Music
105. Theory Paper - II Code - PA 202 A
Name - Technical Concept of Ragas Composition
106. Practical Paper – I Code - PA 203 A
Name - Practical study of Ragas
107. Practical Paper – II Code - PA 204 A
Name - Compositional study of Ragas
108. Practical Paper – III Code - PA 205 A
Name - Performing presentation |
M.A. PERFORMING ART (INSTRUMENT-SITAR) 2ND Semester |
109. Theory Paper - I Code - PA 201 (Common Paper)
Name - Aesthetic Appreciation of Indian Music
110. Theory Paper - II Code - PA 202 B
Name - Technical Concept of Ragas Composition
111. Practical Paper – I Code - PA 203 B
Name - Practical study of Ragas
112. Practical Paper – II Code - PA 204 B
Name - Compositional study of Ragas & Instrument
113. Practical Paper – III Code - PA 205 B
Name - Performing presentation |
M.A. PERFORMING ART (TAL-VADYA) 2ND Semester |
114. Theory Paper - I Code - PA 201 (Common Paper)
Name - Aesthetic Appreciation of Indian Music
115. Theory Paper - II Code - PA 202 C
Name - Technical Concept of Ragas Composition
116. Practical Paper – I Code - PA 203 C
Name - Practical study of Ragas
117. Practical Paper – II Code - PA 204 C
Name - Compositional study of Taals
118. Practical Paper – III Code - PA 205 C
Name - Performing presentation |
M.A. PERFORMING ART (VOCAL) 3RD Semester |
119. Theory Paper - I Code - PA 301 (Common Paper)
Name - History of Ancient Indian Music
120. Theory Paper - II Code - PA 302 A
Name - Technical Concept of Performing Art
121. Practical Paper – I Code - PA 303 A
Name - Practical study of Vocal Music
122. Practical Paper – II Code - PA 304 A
Name - Compositional study of Ragas
123. Practical Paper – III Code - PA 305 A
Name - Performing presentation |
M.A. PERFORMING ART (INSTRUMENT-SITAR) 3RD Semester |
124. Theory Paper - I Code - PA 301 (Common Paper)
Name - History of Ancient Indian Music
125. Theory Paper - II Code - PA 302 B
Name - Technical Concept of Performing Art
126. Practical Paper – I Code - PA 303 B
Name - Practical study of Instrumental Music
127. Practical Paper – II Code - PA 304 B
Name - Compositional study of Ragas
128. Practical Paper – III Code - PA 305 B
Name - Performing presentation |
M.A. PERFORMING ART (TAL-VADYA) 3RD Semester |
129. Theory Paper - I Code - PA 301 (Common Paper)
Name - History of Ancient Indian Music
130. Theory Paper - II Code - PA 302 C
Name - Technical Concept of Performing Art
131. Practical Paper – I Code - PA 303 C
Name - Practical study of Tal
132.Practical Paper – II Code - PA 304 C
Name - Compositional study of Notations
133. Practical Paper – III Code - PA 305 C
Name - Performing presentation |
M.A. PERFORMING ART (VOCAL) 4TH Semester |
134. Theory Paper - I Code - PA 401 (Common Paper)
Name - History of Modern Indian Music
135. Theory Paper - II Code - PA 402 (Common Paper)
Name - Philosophy and Aesthetic appreciation of Music
136. Practical Paper – I Code - PA 403 A
Name - Stage Performance
137. Practical Paper – II Code - PA 404 A
Name - Dissertation
138. Practical Paper – III Code - PA 405 A
Name - Viva – Voce |
M.A. PERFORMING ART (INSTRUMENT-SITAR) 4TH Semester |
139. Theory Paper - I Code - PA 401 (Common Paper)
Name - History of Modern Indian Music
140. Theory Paper - II Code - PA 402 (Common Paper)
Name - Philosophy and Aesthetic appreciation of Music
141. Practical Paper – I Code - PA 403 B
Name - Stage Performance
142. Practical Paper – II Code - PA 404 B
Name - Dissertation
143. Practical Paper – III Code - PA 405 B
Name - Viva – Voce |
M.A. PERFORMING ART (TAL-VADYA) 4TH Semester |
144. Theory Paper - I Code - PA 401 (Common Paper)
Name - History of Modern Indian Music
145. Theory Paper - II Code - PA 402 (Common Paper)
Name - Philosophy and Aesthetic appreciation of Music
146. Practical Paper – I Code - PA 403 C
Name - Stage Performance
147. Practical Paper – II Code - PA 404 C
Name - Dissertation
148. Practical Paper – III Code - PA 405 C
Name - Viva – Voce |
5. Interdisciplinary courses and departments involved: No
6. Courses in collaboration with other universities, industries, foreign institutions, No
7. Details of programmes / courses discontinued, if any, with reasons No
8. Annual/Semester/Choice Based Credit System:
A. B.A.(Visual Art and Performing Art )-Annual
B. M.A.(III & IV Semester) (Visual Art and Performing Art )-Semester
C. M.A. (I& II Semester) ( (Visual Art and Performing Art )-Choice Based CreditSystem.
9. Participationof the department in the courses offered by other departments:
NONE
10. Numberof teaching posts sanctioned and filled
|
sanctioned |
filled |
Professors |
Nil |
01 |
Associate Professors |
01 |
Nil |
Asst. Professors |
09 |
05 |
11. Faculty profile with name, qualification, designation and specialization
(D.Sc./D.Litt./Ph.D./M.Phil., etc.)
Name |
Prof. Usha Singh |
Qualification |
D.Mus. |
Designation |
Professor |
Specialization |
Performing Art (Instrumental Music-Sitar) |
No. of Years of Experience |
26 Years |
No. of Ph.D. students
guided for the last 5 years |
04 + 02 PDF |
Name |
Dr. Gauri Shankar Chauhan |
Qualification |
Ph.D. |
Designation |
Assistant Professor |
Specialization |
Visual Art (Communication Art) |
No. of Years of Experience |
02 Years |
No. of Ph.D. students
guided for the last 5 years |
Nil |
Name |
Dr. Pradeep Kumar Sahani |
Qualification |
Ph.D. |
Designation |
Assistant Professor |
Specialization |
Visual Art (Panting) |
No. of Years of Experience |
02 Years |
No. of Ph.D. students
guided for the last 5 years |
Nil |
Name |
Shubhaker Dey |
Qualification |
M.Musicology |
Designation |
Assistant Professor |
Specialization |
Performing Art (Vocal Music) |
No. of Years of Experience |
02 Years |
No. of Ph.D. students
guided for the last 5 years |
Nil |
Name |
Shraddha Shukla |
Qualification |
M.F.A. |
Designation |
Assistant Professor |
Specialization |
Visual Art (Applied Art) |
No. of Years of Experience |
09 Years |
No. of Ph.D. students
guided for the last 5 years |
Nil |
Name |
Pradeep Rajoriya |
Qualification |
M.F.A. |
Designation |
Assistant Professor |
Specialization |
Visual Art (Creative Panting) |
No. of Years of Experience |
02 Years |
No. of Ph.D. students
guided for the last 5 years |
Nil |
12. List of senior Visiting Fellows, faculty, adjunct faculty, emeritus professors:
NONE
13. Percentage of classes taken by temporary faculty – programme-wise information:
NONE
14. Programme-wiseStudent Teacher Ratio:
15. Numberof academic support staff (technical) and administrative staff: sanctioned
and filled
|
sanctioned |
filled |
Academic Support Staff (Technical) / Tabla Accompanist |
03 |
Nil |
Administrative staff |
04 |
01 |
16. Research thrust areas recognized by funding agencies:
UGC, New Delhi
17. Number of faculty with ongoing projects from a) national b) international funding
agencies and c)Total grants received. Give the names of the funding agencies and
grants received project-wise. :
NONE
18. Inter-institutional collaborative projects and grants received
a) All India collaboration b) International
NONE
19. Departmental projects funded by DST-FIST; UGC-SAP/CAS, DPE; DBT, ICSSR,
etc.; total grants received. :
NONE
20. Research facility / centre with
· state recognition
· national recognition
· international recognition
NONE
21. Special research laboratories sponsored by / created by industry or corporate bodies:
NONE
22. Publications:
* Number of papers published in peer reviewed journals (national / international)
* Monographs : NIL
* Chapters in Books
Name of the teacher
|
Title of the book |
Title of the Chapters |
National / international |
Year of publication |
ISBN/ISSN number of the proceeding |
Name of the publisher |
Prof. Usha Singh |
’’आर्षभी’’ (कला के विविघ आयाम - दृश्य-श्रव्य के परिप्रेक्ष्य में) |
’’हिन्दी फिल्म संगीत की व्यावसायिक स्थिति-प्रतिस्पर्धा, अनुकूल वातावरण’’ |
National |
2016 |
ISBN No : 978-93-8105488-8 |
नील कमल प्रकाशन, गोरखपुर |
Dr. Pradeep Kumar Sahani |
’’आर्षभी’’ (कला के विविघ आयाम - दृश्य-श्रव्य के परिप्रेक्ष्य में) |
कलाकार के मनोभाओं की प्रस्तुतिकरण ’आत्म चित्रण’ |
National |
2016 |
ISBN No : 978-93-8105488-8 |
नील कमल प्रकाशन, गोरखपुर |
Pradeep Rajoriya |
Community Heath through Physical Education Art |
Corelated Physical Education & Visual Arts as a strongest Tool in Education System |
National |
2019 |
ISBN No : 978-84-937106-4-7 |
Shri Gyansagar Publication, Meerut City |
Dr. Gauri Shankar Chauhan |
’’आर्षभी’’ (कला के विविघ आयाम - दृश्य-श्रव्य के परिप्रेक्ष्य में) |
कला और संगीत के समागम |
National |
2016 |
ISBN No : 978-93-8105488-8 |
नील कमल प्रकाशन, गोरखपुर |
Shubhanker Dey |
शिल्पायन संगीत लेख मंजूषा |
नाट्यशास्त्र में मार्ग ताल एवं उनके प्रयोग स्थल |
National |
2014 |
ISBN No : 978-93-81999-45-5 |
शारदा संस्कृत संस्थान, वाराणसी |
Shubhanker Dey |
शिल्पायन संगीत लेख वीथिका |
संगीतरत्नाकरोंक्त स्वरसाधारण एवं तदनुसार प्राप्त विकृत स्वर |
National |
2015 |
ISBN No : 978-93-8514-915-3 |
ल्यूमिनस् बुक्स, वाराणसी |
Shubhanker Dey |
शिल्पायन संगीत लेख संग्रह |
विदुषी अश्विनी भिडे देशपाण्डे जी के बंदिशों में निहित सांगितिक एवं साहित्यिक तत्त्वों का विवेचन |
National |
2017 |
ISBN No : 978-93-81999-90-5 |
शारदा संस्कृत संस्थान, वाराणसी |
Shubhanker Dey |
शिल्पायन संगीत लेख समाहार |
वाग्गेयकारिता के आलोक में पंडित जसराज |
National |
2019 |
ISBN No : 978-81-935801-8-9 |
शारदा संस्कृत संस्थान, वाराणसी |
Shubhanker Dey |
शास्त्रीय संगीत एवं वर्तमान परिवेश |
The Technological Advancements and Indian Classical Music |
National |
2019 |
ISBN No : 978-93-88179-41-6 |
K. R. Publication, New Delhi |
* Edited Books
Name of the teacher
|
Title of the book/chapters published |
National / international |
Year of publication |
ISBN/ISSN number of the proceeding |
Name of the publisher |
Prof. Usha Singh (Editor) |
’’आर्षभी’’ (कला के विविघ आयाम - दृश्य-श्रव्य के परिप्रेक्ष्य में) |
National |
2016 |
ISBN No : 978-93-8105488-8 |
नील कमल प्रकाशन, गोरखपुर |
Shubhanker Dey (Editor) |
शिल्पायन संगीत लेख संचयन |
National |
2016 |
ISBN No : 978-93-81999-72-1 |
शारदा संस्कृत संस्थान, वाराणसी |
* Bookswith ISBN with details of publishers
Name of the teacher
|
Title of the book/chapters published |
National / international |
Year of publication |
ISBN/ISSN number of the proceeding |
Name of the publisher |
Shubhanker Dey |
भारतीय संगीत की विभिन्न ताल पद्वतियाँ |
National |
2016 |
ISBN No : 978-93-81999-89-9 |
शारदा संस्कृत संस्थान, वाराणसी |
* Number listed in International Database (For e.g. Web of Science, Scopus,
Humanities International Complete, Dare Database - International Social
Sciences Directory, EBSCO host, etc.) :NIL
* Citation Index – range / average : NIL
* SNIP : NIL
* SJR : NIL
* Impact Factor – range / average : NIL
* h-index : NIL
23. Details of patents and income generated: : NIL
24. Areas of consultancy and income generated: : NIL
25. Faculty selected nationally/ internationally to visit other laboratories in India and
abroad: : NIL
26. Faculty serving in a) National committees
b) International committees
c) Editorial Boards
d) any other (please specify)
Name of Faculty – Dr. Usha Singh
S.N. |
Committees Name |
01 |
Faculty serving in editorial Boards (Manviki Research journal) |
02 |
Boards of Studies R.M.L. University Faizabad |
03 |
Boards of Studies Siddhartha University, Siddharth Nagar |
04 |
Boards of Studies Veer Bahadur Singh Purvanchal university, jaunpur |
05 |
Member of Academic Council, DDU Gorakhpur university, Gorakhpur |
27. Faculty recharging strategies (UGC, ASC, : Refresher/ orientation programs, workshops, training programs and similar programs).
28. Student projects:
Dissertation/Project Work in Both Visual Art and Performing Art is 100% Compulsory for Post Graduate Student.
29. Awards/ recognitions received at the national and international level by:
· Faculty
Name of full time teachers receiving awards |
Name & Year of Award
|
Designation |
Name of the award, fellowship, received from Government or recognized bodies |
SHUBHANKER DEY |
MUSICOLOGY AWARD 2019 |
Assistant Professor |
INDIAN MUSICOLOGICAL SOCIETY |
· Doctoral / post doctoral fellows
· Students
30.Seminars/ Conferences/Workshops organized and the source of funding (national /
international)with details of outstanding participants, if any.
Name of the Seminar |
Date |
Source of Funding |
NIL |
Name of the workshop |
Date |
Source of Funding |
कला के विविघ आयाम - दृश्य.श्रव्य के परिप्रेक्ष्य में |
20/01/2016 – 23/01/2016 |
U.G.C., New Delhi |
ललित कला के लयात्मक तत्व सौन्दर्य के परिप्रेक्ष्य में |
16/01/2018 - 20/01/2018 |
U.G.C., New Delhi |
31.Code of ethics for research followed by the departments:
Ethics for Research followed by the departments as per University and UGC Guidelines.
32.Student profile course-wise:
Name of the Course
|
Applications received
|
Selected
(Male/ Female) |
Pass percentage
(Male/ Female) |
2014-2015 |
U.G. (Visual Art) |
|
120 (64-M/56-F) |
|
U.G. (Performing Art) |
09 (05-M/04-F) |
|
2015-2016 |
U.G. (Visual Art) |
|
87 (38-M/49-F) |
|
U.G. (Performing Art) |
08 (02-M/06-F) |
|
2016-2017 |
U.G. (Visual Art) |
|
83 (25-M/58-F) |
|
U.G. (Performing Art) |
06 (06-M/00-F) |
|
2017-2018 |
U.G. (Visual Art) |
|
80 (23-M/57-F) |
|
U.G. (Performing Art) |
18 (08-M/34-F) |
|
2018-2019 |
U.G. (Visual Art) |
|
179 (43-M/136-F) |
|
U.G. (Performing Art) |
34(17-M/17-F) |
|
2014-2015 |
P.G. (Visual Art) |
106 |
42 (08-M/34-F) |
39.62% |
P.G. (Performing Art) |
10 |
07 (01-M/00-F) |
70% |
2015-2016 |
P.G. (Visual Art) |
153 |
37 (17-M/20-F) |
24.18% |
P.G. (Performing Art) |
18 |
14 (03-M/11-F) |
77.78% |
2016-2017 |
P.G. (Visual Art) |
102 |
42 (10-M/32-F) |
41.18% |
P.G. (Performing Art) |
15 |
12 (04-M/08-F) |
80% |
2017-2018 |
P.G. (Visual Art) |
105 |
49 (21-M/28-F) |
46.67% |
P.G. (Performing Art) |
21 |
16 (04-M/12-F) |
76.19% |
2018-2019 |
P.G. (Visual Art) |
83 |
50 (11-M/39-F) |
60.24% |
P.G. (Performing Art) |
12 |
06 (02-M/04-F) |
50% |
2014-2019 |
Ph.D |
01 |
01 (01-M/00-F) |
100% (100%-M/00%-F) |
Post-Doctoral |
01 |
01 (00-M/01-F) |
100% (00%-M/100%-F) |
|
|
|
|
|
33.Diversity of students:
2018-2019
Name of the
Course
|
% of Students from the
Same university
|
% of students from other universities
within the State |
% of students
from
universities
outside the
State |
% of students
From other countries
|
2014-2015 |
M.A. Visual Art |
100% |
00 |
00 |
00 |
M.A. Performing Art |
100% |
00 |
00 |
00 |
2015-2016 |
M.A. Visual Art |
100% |
00 |
00 |
00 |
M.A. Performing Art |
100% |
00 |
00 |
00 |
2016-2017 |
M.A. Visual Art |
100% |
00 |
00 |
00 |
M.A. Performing Art |
100% |
00 |
00 |
00 |
2017-2018 |
M.A. Visual Art |
98% |
02% |
00 |
00 |
M.A. Performing Art |
98% |
02% |
00 |
00 |
2018-2019 |
M.A. Visual Art |
96% |
04% |
00 |
00 |
M.A. Performing Art |
100% |
00 |
00 |
00 |
34. How many students have cleared Civil Services and Defense Services
examinations,NET, SET, GATE and other competitive examinations? Give details
category-wise.
Sl.No. |
Name of the Student |
Category |
1 |
Manish prajapati |
JRF (2014) |
2 |
Chaturbhuj narayan |
JRF (2015) |
3 |
Amit |
JRF (2016) |
5 |
Vinay kumar yadav |
NET (2017) |
6 |
parshuram yadav |
NET (2017) |
7 |
Sanjay Kumar singh |
NET (2017) |
8 |
Pradeep kumar sahani |
NET (2015) |
9 |
Priyanka singh |
NET (2018) |
10 |
Durgesh nandini |
NET (2018) |
11 |
Aradhana shriwastwa |
JRF (2017) |
12 |
Pragati yadav |
JRF (2016) |
13 |
Nawaz ahmed |
NET (2018) |
14 |
Vinita gupta |
NET (2018) |
15 |
Moolchand verma |
NET (2018) |
16 |
Vinay gupta |
NET (2018) |
17 |
Sangeet tripathi |
NET (2015) |
18 |
Shikhar tripathi |
JRF (2019) |
19 |
Chandan singh |
JRF (2019) |
20 |
Vishnu dev Sharma |
NET (2019) |
21 |
Neha |
JRF (2014) |
22 |
Kaushal prajapati |
JRF (2019) |
23 |
Shivanand Rai |
NET (2018) |
24 |
Diksha kushwaha |
NET (2018) |
25 |
Chanda yadav |
NET (2018) |
26 |
Vishal yadav |
NET (2017) |
27 |
Tithi singh |
NET (2018) |
28 |
Nisha Madhesiya |
NET (2018) |
29 |
Sushma |
NET (2018) |
30 |
Manita Paswan |
NET (2018) |
31 |
Durgesh prajapati |
NET (2018) |
32 |
Madhu Gupta |
NET (2014) |
33 |
Renulata Singh |
NET (2014) |
34 |
Ashish Kumar Pandey |
NET (2019) |
35 |
Ramujagir |
NET (2019) |
36 |
Dhirendra kumar |
NET (2019) |
37 |
Nitish |
NET (2019) |
38 |
Komal madhesiya |
NET (2019) |
39 |
Rohit kumar |
NET (2019) |
35.Student progression
Student progression |
Percentage against enrolled |
UG to PG |
96 % |
PG to M.Phil. |
NIL |
PG to Ph.D. |
0% |
Ph.D. to Post-Doctoral |
NIL |
Employed
· Campus selection
· Other than campus recruitment
Sl.No. |
Name of the Student |
Remarks |
1 |
Manish prajapati |
T.G.T. Maharajgang |
2 |
Chaturbhuj narayan |
Kendriy vidhyalay baghpath |
3 |
Amit |
K.V.S. kerala |
4 |
Sushil Kumar |
L.T. Grade Gorakhpur |
5 |
Vinay kumar yadav |
L.T. Grade |
6 |
Ritash chaudhari |
T.G.T. |
7 |
Gauri Shankar chauhan |
D.D.U.G.U.GKP. |
8 |
Pradeep kumar sahani |
D.D.U.G.U.GKP. |
9 |
Priyanka singh |
Marwar college gorakhpur |
10 |
Aradhana shriwastwa |
K.V.S. kerala |
11 |
Pragati yadav |
T.G.T. krish kumari inter college gkp |
12 |
Nawaz ahmed |
B.S.F. calligraphy |
13 |
Vinita gupta |
Agra rajkiya mahavidyalay |
14 |
Moolchand verma |
Gaziabad rajkiya mahavidyalay |
15 |
Vinay gupta |
Gujrat |
16 |
Sangeet tripathi |
Silchar |
17 |
Dharmvir chaudhari |
D.S.S.B. Delhi |
18 |
Sandhya maurya |
D.S.S.B. Delhi |
19 |
Diksha kushwaha |
L.T. Grade |
20 |
Abhishek singh |
J.P. Inter College (P.G.T.) |
21 |
Madhu Gupta |
K.V.S. (M.P.) |
22 |
Sunil prajapati |
T.G.T. Bulandshahar |
23 |
Moon sriwastva |
Convent school gkp. |
24 |
Anu shukla |
Convent school gkp. |
25 |
Poonam Sharma |
Convent school gkp. |
26 |
Deepak pandey |
Convent school jharkhnd |
27 |
Ravi prakash |
k.v.s. aasam |
28 |
Emita das |
Convent school gkp. |
29 |
Udit das |
Convent school gkp. |
30 |
Santosh chuibey |
Sunvin school gonda |
31 |
Rajesh gautam |
Degari college gkp. |
32 |
Krishn pratap |
k.v.s. kaporthala panjab |
33 |
Dhiraj kushwaha |
T.G.T. Gorakhpur |
34 |
Ramesh prajapati |
Degari college sidharthnagar |
35 |
Vijay gupta |
Art teacher bihar |
36 |
Mamta das |
Inter college basti |
37 |
Chandan jaswal |
Karpet designer mirjapur |
38 |
Birju jaswal |
Graphic designer pune |
39 |
Soni chauhan |
Inter college varansi |
40 |
Menka solanki |
T.G.T. santkavir nagar |
41 |
Ashutosh |
T.G.T. Allahabad |
42 |
Yogeswar |
P.G.T. Kanpur |
43 |
Ashish narayan mishra |
T.G.T. Kanpur |
44 |
Abhimanyu Prasad chaibey |
P.G.T. devrea |
45 |
Arti gupta |
T.G.T. lucknow |
46 |
Sangeeta singh |
T.G.T. gajiabad |
47 |
Avanish sriwastav |
T.G.T. basti |
48 |
Rajneesh anand |
T.G.T. santkavir nagar |
49 |
Amit kumar |
K.V.S. Madurai |
50 |
Sandeep sriwastav |
Convent school gkp. |
51 |
Sagar |
T.G.T. Gorakhpur |
52 |
Rekha rani Sharma |
Degari college Gorakhpur |
53 |
Richa dubey |
Degari college Gorakhpur |
54 |
Sweta verma |
Degari college Gorakhpur |
55 |
parshuram yadav |
Allahabad university |
56 |
Dileep divedi |
UPP santkavir nagar |
57 |
Madhurita singh |
Degari college Gorakhpur |
58 |
Sangeeta churasiya |
Degari college Gorakhpur |
59 |
Saloni mishra |
Degari college Gorakhpur |
60 |
Babu ram chauhan |
K.V.S. M.P. |
61 |
Shashikant Singh |
T.G.T. Deoria |
Entrepreneurs
36.Diversity of staff
Percentage of faculty who are graduates-
|
Teaching Staff |
Non-Teaching Staff |
of the same university : |
33.33 % |
100% |
from other universities within the State: |
66.67% |
NIL |
from universities from other States: |
NIL |
NIL |
from universities outside the country: |
NIL |
NIL |
37.Number of faculty who were awarded Ph.D., D.Sc. and D.Litt. during the
Assessment period :
NONE
38.Present details of infrastructural facilities with regard to
a)Library : 01
b)Internet facilities for staff and students: NIL
c)Total number of class rooms : 02
d) Classrooms with ICT facility : NIL
e)Students‘ laboratories : 06
f)Research laboratories : NIL
39.List of doctoral, post-doctoral students and Research Associates
a) from the host university :
Name of the PhD/PDF scholar |
Name of the guide/s |
Title of the thesis |
Year of registration of the scholar |
Year of award of PhD |
Dr. Usha Yadav |
Prof. Usha Singh |
|
|
|
Ritesh Kumar Chaudhari |
Prof. Usha Singh |
वीणा वादन के क्षेत्र में सांस्कृतिक धरोहर स्वरूप पं0 लाल मणि मिश्रा का व्यक्तित्व एवं कृतित्य |
2012 |
2019 |
Priyanka Singh |
Dr. Karuna Sibbu |
भारतीय टेक्सटाइल के कलात्मक सौष्ठव में गुजरात का उल्लेखनीय योगदान एवं विश्लेषणात्मक अध्ययन |
2010 |
2016 |
Ruchi Gupta |
Prof. Usha Singh |
सरसरंग (पंडित रामनारायण मणि त्रिपाठी) के सांगीतिक व्यक्तिव का वाग्गेयकार के रूप में समीक्षात्मक अध्ययन |
2008 |
2015 |
Arpita Banerjee |
Prof. Usha Singh |
पूर्वांचल के लोकगीतों का सांस्कृतिक एवं सांगीतिक अध्ययन |
2008 |
2017 |
Shweta Verma |
Dr. Bharat Bhusan |
कलाकार शिक्षाविद् एवं कला प्रशासक प्रो0वी0पी0 काम्बोजः एक समीक्षात्मक अध्ययन |
2007 |
2016 |
Arati Gupta |
Dr. Rajeshwar Aacharya |
भारतीय संगीत में निहित चित्रकलात्मक तत्वों का मीमांसापरक अनुशीलन |
2007 |
2016 |
Vikash Sharma |
Prof. Manoj Kumar Singh |
काशी के गलियों में निर्मित मंदिर वास्तुकला में उपलब्ध कलाकृतियों का समीक्षात्मक अध्ययन (मैदागिन से गोदौलिया के मध्य गंगा तीरे) |
2001 |
2014 |
b) from other universities :
Name of the PhD/PDF scholar |
Name of the guide/s |
Title of the thesis |
Year of registration of the scholar |
Year of award of PhD |
Dr. Shilpi Nahar |
Prof. Usha Singh |
18 वीं शताब्दी से अदयतन सितार की बनावट एवं वादन शैली के विकास का अन्तर सम्बन्ध (एक विश्लेषणात्मक अध्ययन) |
2017 |
|
Pradeep Rajoriya |
Prof. Usha Singh |
’’रामायण के दृष्टान्तों पर आधारित चित्र एवं चित्रकार’’ एक सर्वेक्षण परक अध्ययन (गीता प्रेस के सन्दर्भ में ) |
2019 |
|
40.Number of post graduate students getting financial assistance from the
University:
NA
41. Was any need assessment exercise undertaken before the development of new
Programme(s)? If so, highlight the methodology.
42.Does the department obtain feedback from:
a. faculty on curriculum as well as teaching-learning-evaluation? If yes, how does
the department utilize the feedback?
Receives Feedback Form from the Students on Teaching and Learning process and tries to incorporate its suggestions for up-gradation of syllabi
b. students on staff, curriculum and teaching-learning-evaluation and how does
the department utilize the feedback?
NIL
c. alumni and employers on the programmes offered and how does the department
utilize the feedback?
Feedback from Employers is received and issued to in cultivate new programmes and for the development of Department.
43.List the distinguished alumni of the department (maximum 10)
SI.NO. |
NAME |
AT PRESENT DEPARTMENT |
1. |
डाॅ0 ज्योति भण्डारी |
प्रो. त्रिभुवन यूनिवर्सिटी, काठमांडू नेपाल |
2. |
डाॅ0 रूचि गुप्ता |
स्वतंत्र कलाकार यू.एस.ए. |
3. |
डाॅ0 अर्पिता बनर्जी |
म्यूजिंक लेक्चर, दिल्ली |
4. |
सारिका बाला |
फाईन आर्ट, प्रवक्ता, कानपुर |
5. |
राजकुमारी |
फाईन आर्ट, प्रवक्ता, कानपुर |
6. |
डाॅ0 गौरी शंकर चैहान |
सहायक आचार्य, दी.द.उ. गोरखपुर विश्वविद्यालय, गोरखपुर |
7. |
राकेश |
आर्ट डायेरेक्टर फिल्म इन्डस्ट्री बाम्बे |
8. |
सीमा गुप्ता |
कला निदेशक, फिल्म इन्डस्ट्री बाम्बे |
9. |
डाॅ. राम निवास यादव |
मेकप मैन, फ्रिलाॅसर एण्ड फिल्म |
10. |
डाॅ. दिव्या सिंह |
प्रवक्ता, आर्ट आॅफ हिस्ट्री दृश्यकला संकाय का.हि.वि.वि. वारा. |
11. |
डाॅ0 प्रदीप कुमार साहनी |
सहायक आचार्य, दी.द.उ. गोरखपुर विश्वविद्यालय, गोरखपुर |
44.Give details of student enrichment programmes (special lectures / workshops /
seminar)involving external experts:
45.List the teaching methods adopted by the faculty for different programmers:
Teaching Methods adopted are- ClassLecture, from C Dies, Stage Performance, Exhibition etc.
46. Howdoes the department ensure that programme objectives are constantly met and
learningoutcomes are monitored? :
By getting responses and suggestions fromStudent.
47.Highlight the participation of students and faculty in extension activities.
48.Give details of ―beyond syllabus scholarly activities‖ of the department.
49.State whether the programme/ department is accredited/ graded by otheragencies?
If yes,give details. :
NO